Thirty Three and a Third - Acoustic Alchemy

Thirty Three and a Third

Acoustic Alchemy

  • Genre: Smooth Jazz
  • Release Date: 2018-11-16
  • Explicitness: notExplicit
  • Country: USA
  • Track Count: 11

  • ℗ 2018 OnSide Records

Tracks

Title Artist Time
1
East of Babylon Acoustic Alchemy 3:24 USD 1.29
2
Carmen's Man Acoustic Alchemy 4:01 USD 1.29
3
The Swallow's Tale Acoustic Alchemy 4:23 USD 1.29
4
Thirty Three and a Third Acoustic Alchemy 4:59 USD 1.29
5
Winter's End Acoustic Alchemy 3:23 USD 1.29
6
A Little Closer Acoustic Alchemy 4:10 USD 1.29
7
Blues for Mr. Mu Acoustic Alchemy 5:02 USD 1.29
8
The Girl With a Plan Acoustic Alchemy 4:55 USD 1.29
9
Allemande Acoustic Alchemy 2:25 USD 1.29
10
Prelude in D Minor Acoustic Alchemy 1:39 USD 1.29
11
The Wind of Change Acoustic Alchemy 2:18 USD 1.29

Reviews

  • Beautiful, Complex, and Reflective

    5
    By dbelldc
    33 1/3 is probably Acoustic Alchemy's most introspective album since 1998's "Positive Thinking." The band has shared that they have been through a lot of challenges over the past few years, hence why it's been so long since their last studio album. After a string of very heavily-produced albums including "American/English," "This Way," and "Roseland," this album highlights a more organic sound that feels slightly reminiscent of AA's earlier work, yet retains that eagerness to take chances and explore new ground that has characterized the latter half of their 33+ years. The opening track "East of Babylon" is of course meant to startle you, as if defiantly announcing the band's return to our earbuds. But it gives way to the toe-tapper "Carmen's Man." the band's dedication to Chuck Loeb. The standouts on this album include the hauntingly beautiful track "The Swallow's Tale," in which Greg's nylon-string guitar shines, and the acoustic duet in "Winter's End." Both tracks employ much more reserved use of the saxophone than has been present in AA's prior albums, which makes its presence all the more captivating and delightful when it does appear. And no review of this album would be complete without calling out "The Girl with a Plan" and its infectiously groovy bass riff, strutted by Gary Grainger. What a great way to cap off the band portion of this album; I'm sure this track will be established as one of Acoustic Alchemy's classics for years to come. There are so many layers to the writing of these pieces and the construction of this album that it continues to grow on me every time I listen to it. Kudos to Acoustic Alchemy for yet another exemplary addition to their extensive catalog of work.
  • Background music

    2
    By FrizzyJen
    During the Nick Webb years they made great acoustic music that was interesting to discover and listen to on your stereo. I’m not a fan of this transition to smooth jazz which is just boring background music.
  • meh

    3
    By aztec506
    My favorite band as well. Been a fan since the 1st CD 30 years ago and have seen the guys live a dozen or more times. I felt the last CD (Roseland) was rather weak but had a few songs that hooked me right away - Marrakesh, One for Shorty. Upon listening to this one the 1st time nothing jumped out at me other than Greg's guitar solos. I wish Nick Webb could show up and write a few but that's not going to happen. Come on guys - 5 years and this is it?
  • Worth the wait

    5
    By Tim Galstan
    Well it took 7 years but Acoustic Alchemy finally has a new album. “The Girl With a Plan” is classic Acoustic Alchemy, similar to “Ariane,” and I knew I would like it when I heard it live this past summer and it does not disappoint. “Winter’s End” will become an all time favorite of mine as well. This album also has two tribute songs “Blues for Mr. Mu” in honor of Walter Becker of Steely Dan and “Carmen’s Man” in honor of Chuck Loeb (there may be a third tribute as I have always suspected “The Wind of Change” is also a tribute). Both tributes do justice to their intended targets. This is a very easy album to listen to as background music or to relax, with the exception of “East of Babylon” which just seems out of place when listening to the album straight through. Overall this album was worth the wait and is probably my favorite since The Beautiful Game. Great work gentlemen and please don’t keep us waiting another 7 years for more new music.
  • Waiting a masterpiece

    5
    By Armando Ibarra
    My favorite band.